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Max-auf-der-Rax

„What can a 35-millisecond moment in swing jazz tell us about our sense of hearing, our capacity for music, and even human consciousness?“

What That Jazz Beat Tells Us About Hearing And The Brain - Scientific American flip.it/4wTdjp

Scientific AmericanWhat That Jazz Beat Tells Us About Hearing And The BrainVery small delays in swing jazz point to our evolution as a supremely auditory species.
#jazz#senses#Hören

@MaxaufderRax I am glad that the podcast mentioned Charles Keil, who started work on "groove" in the 60s, and again later with Joe Prögler in the early 90s. Their essays, in an issue of Ethnomusicology (Vol. 39, No. 1, 1995) are worth looking up!

By the way, I don't agree with the podcaster's characterization of Keil being unwilling to analyze music, lest it "ruin the magic." Like many ethnomusicologists, he simply has legitimate doubts about scientific universalism.

jstor.org/stable/852198?origin

www.jstor.org The Theory of Participatory Discrepancies: A Progress Report on JSTOR Charles Keil, The Theory of Participatory Discrepancies: A Progress Report, Ethnomusicology, Vol. 39, No. 1, Special Issue: Participatory Discrepancies (Winter, 1995), pp. 1-19