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Nielso<p><span class="h-card" translate="no"><a href="https://mstdn.social/@amadeus" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>amadeus</span></a></span> </p><p>In case you're taking the larger perspective on my screens, too… ;-) </p><p>My <a href="https://digitalcourage.social/tags/DAW" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DAW</span></a> on <a href="https://digitalcourage.social/tags/Linux" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Linux</span></a> is <a href="https://digitalcourage.social/tags/Mixbus" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Mixbus</span></a> 10 Pro usually, for some things I also use <a href="https://digitalcourage.social/tags/Ardour" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Ardour</span></a>. I use the Mixbus channel strip processing (gate, EQ, compressors) a lot. I also use the old Harrison XT plugins and quite a number of Windows VSTs via LinVST. On the far right screen, you can see my little “mastering department” which usually consists of Harrison XT-MC multiband compressor, FabFilter ProQ3 EQ, Voxengo Elephant Limiter, and (not shown) <a href="https://digitalcourage.social/tags/x42" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>x42</span></a> EBU R128 meter.</p><p>My audio interface in this setup is a very old <a href="https://digitalcourage.social/tags/RME" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RME</span></a> <a href="https://digitalcourage.social/tags/Digi9652" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Digi9652</span></a> PCI card (the one preceding the HDSP series). It connects 24×24 channels to the <a href="https://digitalcourage.social/tags/Yamaha" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Yamaha</span></a> <a href="https://digitalcourage.social/tags/01v96i" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>01v96i</span></a> mixer in the foreground via ADAT Lightpipe. Now this neat console is rather more for my own fun with the mountain of synthesizers behind the camera, for mixdown jobs it serves merely as a monitor controller. I use a pair of Adam A7V speakers with their DSP being adjusted to the room.</p>
Nielso<p>Nun ist also wieder ein <a href="https://digitalcourage.social/tags/Behringer" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Behringer</span></a> <a href="https://digitalcourage.social/tags/SRC2496" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SRC2496</span></a> Samplerate-Konverter über den Jordan. Das letzte gehortete Reserve-Gerät habe ich gerade verbaut. So wirklich lange halten die alten Billigdinger leider nicht durch.</p><p>Das muss nun in Zukunft anders gelöst werden - und nachhaltiger. Es riecht nach <a href="https://digitalcourage.social/tags/RME" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RME</span></a>…</p><p><a href="https://digitalcourage.social/tags/Veranstaltungstechnik" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Veranstaltungstechnik</span></a>.</p>
Nielso<p>Mobiles Mini-<a href="https://digitalcourage.social/tags/Tonstudio" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Tonstudio</span></a>. </p><p>Das <a href="https://digitalcourage.social/tags/MacBook" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MacBook</span></a> von 2017 ist bei weitem nicht überfordert mit der Aufgabe, fängt aber bereits bei 5 bis 10% Systemauslastung unglaublich an zu pusten, sodass man eigentlich in einen anderen Raum damit muss. <a href="https://digitalcourage.social/tags/Apple" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Apple</span></a>, so gefeiert, ich kann's immer noch nicht nachvollziehen.</p><p>Einsatzgrund: <a href="https://digitalcourage.social/tags/RME" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RME</span></a> <a href="https://digitalcourage.social/tags/TotalMix" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TotalMix</span></a> für das <a href="https://digitalcourage.social/tags/Fireface400" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Fireface400</span></a> ist einfach so viel besser als <a href="https://digitalcourage.social/tags/ffadomixer" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ffadomixer</span></a> unter <a href="https://digitalcourage.social/tags/UbuntuStudio" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>UbuntuStudio</span></a> <a href="https://digitalcourage.social/tags/Linux" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Linux</span></a>. Letzterer wäre auf meinem <a href="https://digitalcourage.social/tags/Thinkpad" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Thinkpad</span></a> verfügbar und würde auch mit diesem Interface funktionieren.</p><p><a href="https://digitalcourage.social/tags/Ardour" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Ardour</span></a> bleibt Ardour, auch auf <a href="https://digitalcourage.social/tags/OSX" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>OSX</span></a>. </p><p><a href="https://digitalcourage.social/tags/Recording" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Recording</span></a> <a href="https://digitalcourage.social/tags/Tontechnik" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Tontechnik</span></a></p>
Nielso<p>I'd really like to know what is the exact difference between current <a href="https://digitalcourage.social/tags/AllenHeath" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AllenHeath</span></a> preamps and AD converts such as those in the <a href="https://digitalcourage.social/tags/AllenHeathCQ" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AllenHeathCQ</span></a> or <a href="https://digitalcourage.social/tags/AllenHeathSQ" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AllenHeathSQ</span></a> series… and standard <a href="https://digitalcourage.social/tags/RME" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RME</span></a> gear such as the old and new <a href="https://digitalcourage.social/tags/Fireface" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Fireface</span></a> series. </p><p>Why? Because the CQ12t is a lot more convenient to use for me than my old Fireface 400. Yet the Fireface's two mic inputs seem to be the best preamps I own.</p><p><a href="https://digitalcourage.social/tags/Recording" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Recording</span></a></p>
Nielso<p>Ich verkabele mein Einraumstudio teilweise neu, dazu lautstark <a href="https://digitalcourage.social/tags/Faithless" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Faithless</span></a>. </p><p>Erstaunlich ist auch immer wieder <a href="https://digitalcourage.social/tags/MIDI" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MIDI</span></a>. Alle Musik-Geräte können hier zumindest rudimentär miteinander sprechen. Auch die, die 1984 auf den Markt kamen sprechen mit dem aktuellen Linux-PC.</p><p>Mischpulte? Was weiß ich als Profi über Mischpulte? Was sage ich Ratsuchenden immer zu Mischpulten?</p><p>Richtig: Ein Mischpult kann eigentlich nie groß genug sein.</p><p>4 hochwertige Mic-Inputs (<a href="https://digitalcourage.social/tags/RME" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RME</span></a> Preamp/Wandler) sind noch frei. 22 weitere Kanäle sind voll auf dem <a href="https://digitalcourage.social/tags/Yamaha" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Yamaha</span></a> <a href="https://digitalcourage.social/tags/01V96i" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>01V96i</span></a>. Noch 6 weitere Kanäle sind Returns aus dem Rechner. Die vier internen Effektmaschinen haben 4 weitere Stereokanäle in Beschlag.</p><p><a href="https://www.youtube.com/watch?v=-5qU3yuinkY" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=-5qU3yuink</span><span class="invisible">Y</span></a></p><p><a href="https://digitalcourage.social/tags/nielsotunes" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>nielsotunes</span></a> <a href="https://digitalcourage.social/tags/music" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>music</span></a> <a href="https://digitalcourage.social/tags/musik" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>musik</span></a> <a href="https://digitalcourage.social/tags/tonstudio" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>tonstudio</span></a> <a href="https://digitalcourage.social/tags/recording" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>recording</span></a> <a href="https://digitalcourage.social/tags/mischpult" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>mischpult</span></a></p>
Nielso<p>Any <a href="https://digitalcourage.social/tags/fedihelp" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>fedihelp</span></a> on this very old <a href="https://digitalcourage.social/tags/RME" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RME</span></a> <a href="https://digitalcourage.social/tags/Digi9652" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Digi9652</span></a> <a href="https://digitalcourage.social/tags/Soundcard" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Soundcard</span></a> with <a href="https://digitalcourage.social/tags/Linux" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Linux</span></a>? </p><p>I'm trying to get the SPDIF input to work.</p><p>So the RME card is clock master, distributing clock via Word Clock. It is hooked up via 3x ADAT I/O + Word Clock to a <a href="https://digitalcourage.social/tags/Yamaha" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Yamaha</span></a> <a href="https://digitalcourage.social/tags/01v96i" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>01v96i</span></a>. </p><p>Now I connected the SPDIF output of the 01V96i via a proper cable directly to the SPDIF input of the RME card (on its breakout cable). In theory, SPDIF signal should now appear on channels 25 and 26. But nothing ever happens. (Input channels 1-24 work without any issue via ADAT.)</p><p>Any ideas?</p><p>Perhaps <span class="h-card" translate="no"><a href="https://fosstodon.org/@PaulDavisTheFirst" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>PaulDavisTheFirst</span></a></span> remembers something about this very old card, is there something peculiar?</p><p>I notice the PSDIF sample rate sliders in <a href="https://digitalcourage.social/tags/alsamixer" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>alsamixer</span></a> which I can't move. </p><p>/proc/asound/R15/rme9652 see <a href="https://pastebin.com/1DywMFDd" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">pastebin.com/1DywMFDd</span><span class="invisible"></span></a> – says “IEC958 sample rate: undetermined”?</p><p>Or is my card broken even? I checked the output of the console with a Behringer SRC2496, it delivers correctly.</p>
Amadeus Paulussen<p><span class="h-card" translate="no"><a href="https://digitalcourage.social/@nielso" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>nielso</span></a></span> <span class="h-card" translate="no"><a href="https://mastodon.sdf.org/@patricklang" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>patricklang</span></a></span> I use a <a href="https://mstdn.social/tags/rme" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>rme</span></a> <a href="https://mstdn.social/tags/fireface" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>fireface</span></a> UFX with an ADI-8 DS MkIII connected via <a href="https://mstdn.social/tags/adat" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>adat</span></a> and can use 18 input channels with <a href="https://mstdn.social/tags/pipewire" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>pipewire</span></a>. I have heard that other people have problems with RME on <a href="https://mstdn.social/tags/linux" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>linux</span></a>, but for me it works like a charm.</p>
Amadeus Paulussen<p>My <a href="https://mstdn.social/tags/rme" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>rme</span></a> <a href="https://mstdn.social/tags/fireface" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>fireface</span></a> <a href="https://mstdn.social/tags/ufx" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ufx</span></a> only offers 12 of 22 inputs in <a href="https://mstdn.social/tags/usb" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>usb</span></a> <a href="https://mstdn.social/tags/classcompliant" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>classcompliant</span></a> mode on <a href="https://mstdn.social/tags/linux" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>linux</span></a>. I can only use all 22 inputs if I use the pro audio profile. Unfortunately I get digital artifacts with the latter. <a href="https://mstdn.social/tags/linuxaudio" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>linuxaudio</span></a><br>Luckily I do not need all the inputs in parallel. 🫣</p>
Alex<p>It's not just the <a href="https://mastodon.org.uk/tags/kernel" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>kernel</span></a> <a href="https://mastodon.org.uk/tags/maintainer" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>maintainer</span></a> stats that <a href="https://mastodon.org.uk/tags/linaro" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>linaro</span></a> figures prominently in. We also do pretty well in the <a href="https://mastodon.org.uk/tags/qemu" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>qemu</span></a> tables (other numbers are available ;-): <a href="https://www.linaro.org/blog/qemu-8-2-and-linaro-s-maintainer-story/" rel="nofollow noopener noreferrer" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">linaro.org/blog/qemu-8-2-and-l</span><span class="invisible">inaro-s-maintainer-story/</span></a> also some notes on playing with <a href="https://mastodon.org.uk/tags/rme" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>rme</span></a> if your interested.</p>
scy<p>TIL that for very flexible minimal-latency Input/Output routing of <a href="https://chaos.social/tags/audio" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>audio</span></a> signals, buying a (analog or digital) <a href="https://chaos.social/tags/mixer" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>mixer</span></a> with multiple buses seems like the obvious choice, but there are also (USB) audio interfaces which support internal routing! For example <a href="https://chaos.social/tags/Arturia" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Arturia</span></a>’s <a href="https://chaos.social/tags/AudioFuse" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AudioFuse</span></a> line, or the <a href="https://chaos.social/tags/RME" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RME</span></a> <a href="https://chaos.social/tags/Fireface" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Fireface</span></a> UCX. Once configured, they can even run without a computer. Some even have internal EQ&nbsp;&amp; FX.</p><p>Now, is there one with internal <a href="https://chaos.social/tags/sidechain" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>sidechain</span></a> compression? I’d _love_ that. Any suggestions?</p>
David Runge<p>Big thanks to Sakamoto for stepping up to maintain the <a href="https://chaos.social/tags/Firewire" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Firewire</span></a> subsystem for the <a href="https://chaos.social/tags/Linux" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Linux</span></a> kernel.<br>I still use an <a href="https://chaos.social/tags/RME" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RME</span></a> <a href="https://chaos.social/tags/Fireface800" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Fireface800</span></a> and it works super well with the <a href="https://chaos.social/tags/ALSA" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ALSA</span></a> driver he wrote using <a href="https://chaos.social/tags/pipewire" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>pipewire</span></a>.</p><p>I hope even post 2029 someone will be up for maintaining it as the devices are solid and using them on Linux is a great countermeasure against their planned obsolescence.</p><p><a href="https://www.phoronix.com/news/Linux-Firewire-New-Maintainer" rel="nofollow noopener noreferrer" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">phoronix.com/news/Linux-Firewi</span><span class="invisible">re-New-Maintainer</span></a></p>
Flavigula<p>Does anyone have experience using <a href="https://sonomu.club/tags/RME" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RME</span></a> audio interfaces with <a href="https://sonomu.club/tags/Linux" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Linux</span></a>? I'm thinking about going for one in my next "studio upgrade". Gracias in advance!</p><p><a href="https://sonomu.club/tags/LinuxAudio" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LinuxAudio</span></a> <a href="https://sonomu.club/tags/HomeStudio" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>HomeStudio</span></a> <a href="https://sonomu.club/tags/HomeMusicStudio" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>HomeMusicStudio</span></a></p>
Enough 14 (D) #NoEdits<p>Einladung zu offenen Treffen von <a href="https://todon.nl/tags/Rheinmetall" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Rheinmetall</span></a> Entwaffnen <a href="https://todon.nl/tags/Berlin" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Berlin</span></a> im April - Weiterlesen: <a href="https://enough-is-enough14.org/2022/04/06/einladung-zu-offenen-treffen-von-rheinmetall-entwaffnen-berlin-im-april/" rel="nofollow noopener noreferrer" target="_blank"><span class="invisible">https://</span><span class="ellipsis">enough-is-enough14.org/2022/04</span><span class="invisible">/06/einladung-zu-offenen-treffen-von-rheinmetall-entwaffnen-berlin-im-april/</span></a> <a href="https://todon.nl/tags/RME" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RME</span></a> <a href="https://todon.nl/tags/antimilitarismus" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>antimilitarismus</span></a> <a href="https://todon.nl/tags/antireport" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>antireport</span></a></p>