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#AmosOz

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Fortgeführter Thread

Some comments on individual vignettes in #AmosOz - "Scenes from Village Life"

"Heirs" - The arrival of a stranger who won't leave reminds me of a story by... Flannery O'Connor? Eudora Welty? Regardless, I wasn't expecting an opening so unsettling.

"Relations" - More estrangement, more loneliness. These vignettes are portraits so far and Oz packs a lot of vivid characterization into fairly short spaces. We see more of the village and its residents/neighbors but it is still (mostly) background here.

"Digging" - Not as unsettling as "Heirs" but still haunting. We see more of Tel Ilan's past and present here, and it is no coincidence that anxieties over Arab land claims are prominent here.

If these characters are largely unlikable and test your sympathy, they are also very human and *familiar*.

Antwortete im Thread

"Because the late Israeli novelist and peace activist #AmosOz was never wiser than when he described the #Israel/ #Palestine conflict as something infinitely more tragic: a clash of right v right. Two peoples with deep wounds, howling with grief, fated to share the same small piece of land."

The tragedy of the Israel-Palestine conflict is this: underneath all the horror is a clash of two just causes | Jonathan Freedland
theguardian.com/commentisfree/

The Guardian · The tragedy of the Israel-Palestine conflict is this: underneath all the horror is a clash of two just causesVon Jonathan Freedland